

This textured style has also some identical typefaces that resemble the features and characters of this font but Neographik font and Anton font has the utmost identical to this font. This font style can easily utilize in posters, creating invitation cards, signposting’s, banners, etc. The design of this font is appreciated by many designers. The texture of this font style has a strong and prominent appearance that is perfectly suited for displays and headings. This font texture belongs to the Sans-Serif font family. For more information visit this page.Here we are introducing a typeface that has bold and strong characters named Impact Font. This typeface is also available within Office applications. Products that supply this font Product name

Even without Schmalfette, you can use Impact for, well, impact. Because Impact was less condensed than Schmalfette, designers often used the two fonts together as companion faces.

The mid-1960s marked the height of a fashion for bold condensed faces that probably originated when Paris Match cut up prints of the Schmalfette Grotesk font, which had been drawn by Walter Haettenschweiler. Geoffrey Lee designed this face, first issued in 1965 by the famous Sheffield foundry, Stephenson Blake.
